"Where Does Time Go" is a piece by Daniel Lopatin working as Oneohtrix Point Never. It sits in the space between ambient drift and electronic composition — patient, open, suspended.

Built from synthesizer textures and slowly evolving tones, the piece does not resolve so much as hover. Time inside it feels genuinely uncertain, which is exactly what the title asks. Lopatin treats duration itself as the material.

Lopatin works with the synthesizer as an instrument of memory and erasure simultaneously. Notes sustain beyond their natural decay, held until they collapse under their own resonance. Duration is the primary material. To listen is to be held inside an extended present.

Each tone generates overtones, generates interference patterns, generates new tones. The feedback loop is the composition. The piece is not constructed so much as cultivated, seeded and observed as it grows beyond intention.

A document of a particular technology at a particular moment. The modular synthesizer repatriated into bedroom studios, freed from institutional contexts. Private, granular, relentless.